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— and it hinges on an unlikely friendship that could only exist inside the movies. It’s the most Besson thing that is, was, or ever will be, and it also happens to become the best.
is about working-class gay youths coming together in South East London amid a backdrop of boozy, toxic masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit rating for introducing a younger generation on the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
The premise alone is terrifying: Two 12-year-old boys get abducted in broad daylight, tied up and taken into a creepy, remote house. When you’re a boy Mother—as I am, of the son around the same age—that may possibly just be enough in your case, and also you gained’t to know any more about “The Boy Behind the Door.”
This sequel towards the classic "we will be the weirdos mister" ninety's movie just came out and this time, on the list of witches is really a trans girl of colour, played by Zoey Luna. While the film doesn't live around its predecessor, it has some entertaining scenes and spooky surprises.
by playing a track star in love with another woman in this drama directed by Robert Towne, the legendary screenwriter of landmark ’70s films like Chinatown
Gauzy pastel hues, flowery designs and lots of gossamer blond hair — these are some of the images that linger after you emerge from the trance cast by “The Virgin Suicides,” Sofia Coppola’s snapshot of 5 sisters in parochial suburbia.
Scorsese’s filmmaking has never been more operatic and powerful since it grapples with the paradoxes of terrible Guys along with the profound desires that compel them to complete awful things. Needless to mention, De Niro is terrifically cruel as Jimmy “The Gent” Conway and Pesci does his best work, but Liotta — who just died this year — is so spot-on that it’s hard to not think about what might’ve been experienced Scorsese/Liotta Crime Movie become a thing, as well. RIP. —EK
Sure, there’s a world of darkness waiting for them when they get there, but that’s just how it goes. There are shadows in life
No supernatural being or predator enters a single frame of this visually economical affair, but the committed turns of its stars as they descend into madness, along with the piercing sounds of horrific events that we’re compelled to imagine in lieu of seeing them for ourselves, are still more than ample to instill a visceral anxiety.
A poor, overlooked movie obsessive new sex video who only feels seen through the neo-realism of his country’s national cinema pretends to generally be his favorite director, a farce that allows Hossain Sabzian to savor the dignity and hardcore sex importance that Mohsen Makhmalbaf’s films had allowed him to taste. When a Tehran journalist uncovers the ruse — the police arresting the harmless impostor while he’s inside the home with the affluent Iranian family where he “wanted to shoot his next film” — Sabzian arouses the interest of the (very) different regional auteur who’s fascinated by his story, by its inherently cinematic deception, and from the counter-intuitive risk that it presents: If Abbas Kiarostami staged a documentary around this guy’s fraud, he could correctly cast Sabzian as being the lead character from the movie that Sabzian experienced always wanted someone to make about his suffering.
An 188-moment movie without a handjob second out of place, “Magnolia” will be the byproduct of bloodshot egomania; it’s endowed with a wild arrogance that starts from its roots and grows like a tumor until God shows up and it feels like they’re just another member with the cast. And thank heavens that someone
In “Strange Days,” the love-Unwell grifter Lenny Nero (Ralph Fiennes), who sells people’s memories for bio-VR escapism to the blackmarket, becomes embroiled in an enormous conspiracy when one of his clients captures footage of a heinous crime – the murder of lesbian videos the Black political hip hop artist.
“Raise the Purple Lantern” challenged staid perceptions glamour brunette maiden trinity st clair adores being nailed of Chinese cinema during the West, and sky-rocketed actress Gong Li to international stardom. At home, however, the film was criticized for trying to appeal to foreigners, and even banned from screening in theaters (it had been later permitted to air on television).
Annette Bening and Julianne Moore play the moms of two teenagers whose happy home life is thrown off-balance when their long-in the past anonymous sperm donor crashes the party.